Say the word ‘monitor’, and many people will immediately assume the speaker being described sounds tight and controlled; forensic, rather than possessing those qualities that support the illusion of musical performance.

The MB2s demonstrate the truth that accuracy and low distortion on one hand and dynamics and musicality on the other are in fact not mutually exclusive, but perfectly comfortable, indeed, complementary, bedfellows.

Thomas says that PMC’s studio (AKA monitor) and domestic ranges are voiced in an identical way, with the same sonic aesthetic and same performance goals in mind.